In this series, I use very long exposure times to capture movements that are not seen by the naked eye. Nighttime is a space that favors achieving this, exposing details that in broad daylight would go unnoticed. The contrast between light and dark becomes almost palpable while allowing the generation of highly interpretable forms. In a certain way, these processes are mixed in images that end up being completed by the spectator, having to assume their continuation in the dark





